Back in the day, and I say it weirdly like that on purpose even though I mean only a mere three years ago, I used to do weekly reviews of single episodes of certain shows. More accurately Doctor Who, because that was really the only show I did that for (check out the last review here). But, something about WandaVision, along with a little poll on Twitter, has compelled me to take up the weekly reviews again. So, I want to warn you that these posts will not be spoiler-free, but rather my unfiltered thoughts right after the episodes have aired!
What was it about?
Wanda and Vision have moved to the lovely town of WestView. They try their best to fit in and seem as regular as they can, however, it does not take long before they realize that something is off. Strange things keep happening, but are Wanda and Vision prepared to face reality?
I have waited for this show for what feels like forever. WandaVision was the very reason I got a Disney+ subscription in the first place and I am so very happy that it is out now and that I LOVE it. With Marvel’s entire slate moving to the Disney platform, I was worried about the content a little bit, but with WandaVision they have proven they are not afraid of going into a weird direction.
Modeled after 1950s to 60s sitcoms such as Bewitched, the first two episodes of the new Marvel series take you on a ridiculous ride full of laugh-tracks, tailored theme songs and animated intros. Everything our two leads do is both extremely over the top and very in character for who they are supposed to be. It is fun to watch, but at the same time they keep the viewer wondering what all of this is about. Much as the trailer was confusing, you do not get a lot of insight throughout the first two episodes. They do, however, manage to create a wonderful feeling of dread on top of the silliness and jokes. Something is off and you are very aware of it, it’s just about figuring out what that something is now.
Well, here is where it might get really spoiler-y, because these are some of the most important observations I have made (at least I think they are important):
- Both episodes had short interludes of what looked like old-timey commercials. One was for a Stark Industries produced toaster, which also featured the first time color was shown on the show. Previously, it had all been black and white. The second episode showed a Strücker watch with a clear reference to Hydra. I don’t know if they maybe just want to hint at important parts of Wanda’s life (her home getting blown up by Stark weapons and her powers stemming from experiments done on her by Hydra – even in chronological order) or if it is something different entirely.
- Another occurrence that was notable in both episodes was a human getting hurt and that being a huge part of Wanda’s awareness that something about her life was off. I found it interesting that these instances mainly involved Wanda and not Vision (although he did save his boss using his abilities in the first episode), because people were turning to her to DO something.
- We do know that Wanda is in some form of simulation, as it is shown that someone is monitoring her and Vision and the life they are trying to create. There are credits shown for WandaVision’s life within the episode that do not correlate with the actual writing, directing and producing team, although the names didn’t mean anything to me. However, to stay in world, it seems Wanda has more control over her environment. At the end of episode 2, Wanda is confronted with something she does not wish to face, so, she reverses time to change events in her little TV world. Through that color is introduced to the entire scenery as Wanda and Vision learn they are expecting a child (or rather children, I suppose. You know, do it for the children).
- Most notably in all of it though was the symbol/logo shown on both the colored toy helicopter Wanda found in her black and white hedges as well as the beekeeper who came out of the canals. (Edit: also on the folder of the person who was monitoring Wanda and Vision on the screen) While the red and gold coloring may have been a misdirect to Stark again, the logo of a sword can quite simply only mean a connection to the S.W.O.R.D. organisation. In the comics, it was another counterterrorism and intelligence agency along the lines of S.H.I.E.L.D. just with a focus on extraterrestrial threats. Reports suggest though that the Sentient World Observation and Response Department has a new name and purpose on WandaVision, since the acronym now stands for Sentient Weapon Observation Response Division. All of this makes a lot of sense in the context of WandaVision, as they are both basically sentient weapons.
- In conjuncture with the last point, we need to talk about the magnificent Teyonah Parris. She introduces herself as Geraldine in episode 2 of WandaVision, but we already know that she is slated to play Monica Rambeau (Carol Danver’s friend Maria’s now adult daughter), which leads me to believe she is a S.W.O.R.D. agent and working on the WandaVision case.
I think that is all for now on my part. I am sure there was much more to observe, especially since Agnes will likely play a vital part as well and I haven’t even touched on her yet. I am so looking forward to exploring more decades, styles of television and just plain story with WandaVision! Also, if you noticed in my post that I am referring to Wanda more than both, her and Vision, it is solely because something tells me he is not quite real. I would love for them to be able to be together again, but I am not sure Marvel is that charitable towards my feelings. I think a lot of this is possibly just all done for Wanda.