TMP – Oscar Winner Edition: Best Original Screenplay and Best Adapted Screenplay

It’s Thursday and I’m back with a new Thursday Movie Picks feature post. This series is hosted by Wandering through the Shelves and offers you a weekly prompt to post some movie recommendations/talking points according to the theme. Usually, you are supposed to post about 3-5 examples, which I find a very manageable amount.

This week is once again part of the Oscar Winner Edition, which will continue to be a reoccurring theme during each month. Today specifically is about Best Original Screenplay and Best Adapted Screenplay, which are actually categories I’m kind of fond of. Maybe it’s the writer in me. Here we go with my picks!

BEST ORIGINAL SCREENPLAY

Promising Young Woman (Emerald Fennell)

I adore this movie with all my heart. Even if you don’t take into consideration the absolute fantastic cinematography and style choices, the way this story was told was simply fantastic. Emerald Fennell took such great care with every single aspect of this movie, doing research about minute details, I love it. Just plain love it.

Get Out (Jordan Peele)

I was so happy to see Get Out be as successful as it turned out to be. Social commentary entertaining horror is a whole genre in itself and Jordan Peele really showcased his range with this project and all the things that followed.

Honorable Mention: The Big Sick (Emily V. Gordon & Kumail Nanjiani)

The Big Sick was nominated the same year that Get Out won, which is obviously a very worthy winner. Still, I watched The Big Sick when it was only shown on limited release in selected cities and I fell head over heels in love with the movie. The fact that it’s based on the lives (albeit dramatized) of Gordon and Nanjiani just makes it all the better.

Honorable Mention: Knives Out (Rian Johnson)

Knives Out had no chance running against Parasite, but I still think it was such a fun and lively script for a genre that is often played out and predictable. I’ve watched this movie more than five times and never felt bored, which can only be attributed to great storytelling (and acting).

BEST ADAPTED SCREENPLAY

Jojo Rabbit (Taika Waititi)

Taika really did something when he decided to do this project. Talking about the atrocities of WWII and making it funny, heartfelt, emotional and entertaining is not an easy task, but he did it. The trailer doesn’t even begin to show the depth of this movie, while still having incredibly hilarious elements. I know it’s quite different from the source material, but I’m glad Taika made it his own.

Honorable Mention: Little Women (Greta Gerwig)

This is my favorite adaptation of Little Women ever. I loved the interwoven timelines and how Gerwig took elements from other stories by Alcott and included it here, because they still felt fitting and relevant (like my favorite monologue).

Honorable Mention: Arrival (Eric Heisserer)

Eric Heisserer is amazing at adapting material. Be it short stories or a whole book series, he just knows how to take the material and bring it to life on screen, change it to make it work for the new medium, but still stay true to the essence of the story and characters.


As you could see, I mostly focused on recent releases, but that’s just the way I am. What are some of your favorite original and adapted Oscar nominated screenplays? Let’s chat!

TMP – Oscar Winner Edition: Best Director

It’s Thursday and I’m back with a new Thursday Movie Picks feature post. This series is hosted by Wandering through the Shelves and offers you a weekly prompt to post some movie recommendations/talking points according to the theme. Usually, you are supposed to post about 3-5 examples, which I find a very manageable amount.

This week is once again part of the Oscar Winner Edition, which will continue to be a reoccurring theme during each month. We already talked about Best Picture, Best Actor/Actress as well as Supporting Actor/Actress, but today is all about Directors. As I like to do so often, I’m going to feature my favorite winners, but also include a little section with nominees I think also deserved the award.

Bong Joon-ho with Parasite

Bong Joon-ho made history with Parasite for a reason. Despite this movie not really being in a genre I love, I could not not feature it on the list. I really thought it would open up future award shows for more representation and diversity in the films and people they select, but they still have miles to go.

Danny Boyle with Slumdog Millionaire

I know this movie isn’t flawless, but I had a great time watching it. Many people know Dev Patel from Skins, but this movie is actually how I got introduced to him as an actor and I have loved his journey and following his career ever since.

Kathryn Bigelow with The Hurt Locker

Can you believe that the first woman director who won an Oscar was Kathryn Bigelow in 2010? Looking at the nominees of the past decades was a sobering experience. I’m glad that Chloé Zhao has won now too, although I haven’t seen Nomadland yet.

Nominees Who Would Have (Also) Deserved the Win

As mentioned above, it’s not that I want to take the award away from the actual winners of any particular year, but sometimes I just liked other nominees as well. Here are some of my favorites:

  • Jordan Peele (Get Out)
  • Denis Villeneuve (Arrival)
  • Wes Anderson (The Grand Budapest Hotel)
  • Stephen Daldry (Billy Elliot)
  • Peter Weir (The Truman Show)
  • Steven Spielberg (E.T.)

What are some of your favorite directors? Not even necessarily just some that have won the Academy Award. Let’s talk!

TMP – Oscar Winner Edition: Best Supporting Actor/Actress

It’s Thursday and I’m back with a new Thursday Movie Picks feature post. This series is hosted by Wandering through the Shelves and offers you a weekly prompt to post some movie recommendations/talking points according to the theme. Usually, you are supposed to post about 3-5 examples, which I find a very manageable amount.

This week is once again part of the Oscar Winner Edition, which will continue to be a reoccurring theme during each month. I think I have thoroughly proven that I am no Oscar fiend and barely watch any of the movies, so bear with me with my selection. Today is all about the best Supporting Actors and Actresses, however, since I found myself struggling to find movies I actually watched and/or liked among the winners of the category (this is not a judgment on the performances, I really don’t watch a lot of Oscar stuff), I chose to feature performers I think would have deserved the award also (!!!not instead of, but ALSO!!!)

Florence Pugh – Little Women

Amy was never the most likable character to me and maybe she didn’t have to be, but Florence Pugh really brought a dimension to her that I adored. I wanted to root for her just as much as for Jo and means something in my book. Then again, Little Women just remains a favorite for me in general.

Laurie Metcalf – Lady Bird

I’m not even sure how Laurie Metcalf’s character was only a supporting character, but her dynamic with Saoirse Ronan is what made this movie work. They sparred off each other and showed a complicated mother-daughter-relationship in the process.

Saoirse Ronan – Atonement

Saoirse was still so young back then, but she was such an important vehicle for the plot of Atonement to work and her performance made it believable. Even at a young age, I bought into every tear she shed, her acting was that good.

Abigail Breslin – Little Miss Sunshine

I just love this movie and Abigail is a lead to me, but whatever. Another brilliant kid actress at the time and I think it’s always fascinating when young children understand the nuances of so many emotions and know how to portray them.

Tom Hanks – A Beautiful Day in the Neighborhood

The movie was literally about Fred Rogers and Tom Hanks managed to convey the same warmth and aura that he did, but okay … supporting actor nomination is fine, I guess?

Stanley Tucci – The Lovely Bones

Stanley Tucci is one of my all time favorite actors and he shines in every role, no matter how big or small. This is one of the few movies, however, where I was terrified of him. His performance made me feel so uncomfortable, maybe especially because I knew the source material and knew what was ahead. It was chilling!


If this list didn’t clue you in that I would watch basically ANYTHING Saoirse Ronan is involved in, I don’t know what more to do? What are some of your contenders?