What is better – the book or the movie? It’s an age old question that we bookworms ask ourselves and I’m happy to share my perspective on the novel Along for the Ride by Sarah Dessen as well as its Netflix adaptation. It’s been a while since I’ve done a post like this, but I hope you’ll love diving into this as much as I did reading, watching and now writing the post for it.
Ever since her parents started fighting and eventually divorced, Auden hasn’t had a full night of sleep. She did, however, do everything that was expected of her. Got good grades, excelled in academics, attended her mother’s soirees rather than hang out with people her own age … forgetting to be a kid/teen in the process. Now, it’s the summer before college and Auden decides to spend it with her father and stepmother in a quaint beach town. What promises to be a carefree summer proves to have more challenges in store for her, especially after meeting fellow insomniac Eli.
Some of you already know this, but Along for the Ride was my first foray into the writing of Sarah Dessen. My expectations were pretty high, just because so many of my friends and fellow bloggers have gotten lost in and fallen in love with her stories. I can confidently say that I devoured and enjoyed the book, but that I was also painfully aware that this was written more than a decade ago.
The way “girly” things were constantly put down and judged, even after some growth on several characters parts, just really nagged me. A lot of Auden’s POV was very much along the lines of “I’m not like other girls” and that was honestly quite frustrating. I’m not saying that this doesn’t happen in books today at all, but I think we’re more aware of that kind of internalized misogyny and try to avoid it.
Auden was hard to love at first, but it made sense in the context of the story and how she was raised. I loved seeing her warm to the people in her life and while her love story with Eli was cute, I preferred her interactions with her stepmother, Heidi (I did not and probably never will like her biological parents in the book). I also appreciated that Auden’s friendship played a huge role in the book. In general, the teen romance came second to the parental struggles for me. I don’t know if that has something to do with my age or because I thought that these conflicts were better developed, but those were definitely the emotionally hard-hitting scenes. Complex family structures will forever be my jam.
Still, Eli is a big part of the picture and something about their late night adventures just really appealed to me. I wasn’t a very adventurous kid myself, even though I’m sure a couple people would like to disagree on that, but something about the way their relationship came to be satisfied a yearning within me. Nonetheless, I kept wishing to know more about Eli. To maybe follow his perspective every once in a while to truly understand his pain.
Rating: 3.5/5 stars! True to the story, I stayed up way past my bedtime to finish reading it.
Page count: 383
Publisher: Viking Books
When the movie started, for the first ten minutes or so, I was certain this was going to be a super faithful adaptation and I wasn’t sure how I felt about that. I liked the book alright, but I knew that it wouldn’t hurt to update a lot of the material. The longer I watched though, the more changes I noted and … I think most of them are for the better?
The main story still stays completely the same, barely anything major differs from the source material, but a movie only gives you a limited amount of time to tell a story and Along for the Ride is on the longer side of YA fiction. There had to be some decisions made and I’m on board with most of them. Here are the most notable ones:
- In the book, Auden has an older brother, which is not the case in the movie. He is the kind of boy, who can seemingly do no wrong and does all the carefree and irresponsible activities Auden never dared to. While I think he was an interesting counterpart in the book, I think it would have diluted what they were trying to tell here. He also tended to jetset around the globe and it would have just been too complicated to incorporate for not a very big payoff.
- When Auden first arrives, she goes to The Tip, a place where all the youth comes to party. She ends up making out with this guy, Jake, which sparks a lot of drama. That does happen in both stories, but felt way less annoying in the movie because of one big change – Jake is never mentioned to be Eli’s brother. I’m not saying this never happens in real life, but it did make things unnecessarily uncomfortable, when there was plenty of Jake-drama to be had without that little detail.
- The entire third act conflict – which is one of my most dreaded elements of romantic storylines – was handled so much better. By cutting some characters and instead using already established ones, they tightened up the relationships and even made some people more likable to me. It also wasn’t dragged out over weeks, but rather quickly resolved through some internal reflection. I was here for that!
I really loved this movie. It made me miss being by the ocean, which is a general state of being for me, but was amplified here. It made me want to go on adventures with strangers in the night and made me reminisce when I did some stupid stuff when I was younger. Due to the time constraints, there wasn’t as much depth and exploration of the family troubles, but I think that Eli got a better third act instead, which was maybe also necessary.
I still would have liked to dig deeper on some parts. I don’t want to say that relationships were rushed, but I definitely felt like I was connected more to the characters because of my knowledge from the books rather than what I learned through the movie. Maggie, for example, is beautiful and warm in the movie, but I think that I knew her even better in the books. She’s a key figure, but we definitely don’t harp on her story as much. I’d still watch it again in a heartbeat though!
As a last note, I just have to say that this was some really perfect casting! Everyone was exactly how I envisioned them to be, down to little mannerisms. Kudos to the casting director!
For me, the movie is a winner. I missed some of the deeper emotional bits from the book, but much of the things that annoyed me were changed for the better and I have to give credit for that. Sofia Alvarez (who adapted the book for the screenplay and directed the movie, but was also involved with TATBILB) knows how to transform books into lovely movies.