I’ve watched shockingly little as of late, so it took me quite a while to garner enough material for another post of What I’ve Been (Binge-)Watching. I decided to leave out the backdoor pilot for All American: Homecoming and the pilot for Gossip Girl, but if you want to talk about those – I’m all ears in the comments! Now on to what I actually planned for this post.
Elite (Shorts before the start of S4)
I still haven’t watched the actual Season 4 (as I said, I’ve barely been watching anything as of late), so please no spoilers for that just yet. I’ll definitely post about it once I got around to it though. As for the shorts, I think there was an order in which to watch them, but I just went by who I liked most … anyway, I tried to talk about them in the order you should watch them below though. At least I think so.
Honestly, those two always bored me a little. The fact that their short story started with one of my most dreaded tropes (the “chase to the airport before the love interest leaves” will never be something I enjoy … having worked at an airport and all) didn’t exactly help me warm up to them. Can’t say much more than that, but if you’re a fan … maybe you’d like them more?
I like Omar and Ander, but they are messy and this was such a sad short for them. I guess it helped ease the viewers into something that will happen in S4 (from what I heard), but I wasn’t 100% sure if the short was the right format for the emotionality of it all. It worked for me, but I think it could have been even more effective with more time.
Can I just say that this was the oddest trio to pick? I mean, I don’t remember a single scene where these characters had shared the screen in a meaningful way before, so it was just odd. Their short gave off major chaotic energy, which was probably supported by the fact that they were high for a huge part of it.
This was the one short I came for and I loved it. Their relationship was always so interesting to me, despite also hitting a few clichés on the way and I love to see them continue to work on it. Long distance is hard, but it can work and they’d be good candidates for it.
Good on Paper
It’s still so wild to me that this is based on Iliza Shlesinger’s (the lead actress) actual real life experiences. You might be familiar with a lot of the themes and some of the scenes from her stand up programs, I mean, the woman really milked that break up, but the movie was still fun and just good for her. You have to watch it to understand just how messed up it all is.
This movie is … about five years too late. Like, literally most of the movie takes part right after Civil War and that’s when we should have all been able to watch it. I stand by that opinion and don’t think I will change it anytime soon. However, that doesn’t make it any less great of a film.
As much of the phase 4 productions have proven, the cinematography of this era of Marvel content is just on a whole other level. Everything feels grounded, natural, obviously beautiful and yet doesn’t hold back on the spectacular fights and grand-scale visuals we are used to. The casting was also impeccable, especially the younger versions of Natasha and Yelena were the perfect lookalikes.
I honestly do not know how Nat made it through the entire movie, because her injuries and recovery were surreal. However, all of this was still such a lovely tale about (found) family, proving that Nat had more than “just” the Avengers and that she deserves her badass status. I’m going to look forward to seeing some of these new characters appear again in the future. The post-credit scene promises great things!